Tioman Island

Tioman Island is a small island located 32 km off the east coast of Peninsular Malaysia in the state of Pahang, and is some 39 km long and 12 km wide. It is locally known as Gunung Daik Bercabang Tiga. It has eight main villages, the largest and most populous being Kampung Tekek in the north. The travel and tourism details of Tioman Island are explained in world tour guides below.

The densely forested island is sparsely inhabited, and is surrounded by numerous coral reefs, making it a popular scuba diving spot. There are also a lot of resorts and chalets around the island. Its beaches were depicted in the 1958 movie, South Pacific as Bali Hai. In the 1970s, TIME Magazine selected Tioman as one of the world's most beautiful islands.

Apart from its diverse marine life, the inland rainforest area, encompassing approximately 12,383 hectares, in Tioman is a strictly enforced nature reserve. There are several protected species of mammals on the island, including the Binturong, Long-tailed Macaque, Slow Loris, Black Giant Squirrel, Red Giant Flying Squirrel, Mouse deer, Brush-tailed Porcupine, and Common Palm Civet, from a total of 45 species of mammals and 138 species of birds, including the majestic Frigatebird. Moreover, Tioman has species that are endemic to its shores. The soft-shelled turtle and the Tioman walking catfish are both unique and can be seen on rainforest walks.

The island is served by ferries from the Malaysian mainland, and a propeller plane service by Berjaya Air from the Seletar Airport in Singapore and Sultan Abdul Aziz Shah Airport in Kuala Lumpur. Tioman has been used for thousands of years by fishermen as an important navigation point and a source of fresh water and wood. During the past thousand years, it has played host to Chinese, Arab, and European trading ships, and often porcelain shards can be found on beaches around the island.

In more recent history, Tioman played host to both the British and the Japanese during the Second World War, and the waters around the island are littered with war remains including HMS Repulse and HMS Prince of Wales.

According to legend, Tioman Island is the resting place of a beautiful dragon princess. Whilst flying from China to visit her prince in Singapore, this beautiful maiden stopped to seek solace in the crystal-clear waters of the South China Sea. Enraptured by the charms of the place, she decided to discontinue her journey. By taking the form of an island, she pledged to offer shelter and comfort to passing travelers.

Tioman Island lends its name to the state constituency of Tioman, comprising the island and part of the Rompin district including the town of Kuala Rompin. Its representative to the State Legislative Assembly is YB Mohd. Johari from Barisan Nasional. Its representative to the Malaysian Parliament is former MOSTI Minister Dr Jamaluddin Jarjis, also from Barisan Nasional.

Saint Isaac's Cathedral

Saint Isaac's Cathedral is a cathedral in Saint Petersburg, Russia. It is the largest Russian Orthodox cathedral in the city and was the tallest Eastern Orthodox Church upon its completion subsequently surpassed only by the Cathedral of Christ the Saviour. It is also called as Isaakievskiy Sobor. It is dedicated to Saint Isaac of Dalmatia, a patron saint of Peter the Great who had been born on the feast day of that saint. The details of Saint Isaac's Cathedral are explained in world tour guides below.

The church on St Isaac's Square was ordered by Tsar Alexander I, to replace an earlier Rinaldiesque structure. A specially appointed commission examined several designs, including that of the French-born architect Auguste de Montferrand, who had studied in the atelier of Napoleons designer, Charles Percier. Monferrands design was criticised by some members of the commission for the dry and allegedly boring rhythm of its four identical pedimented octastyle porticos. It was also suggested that despite gigantic dimensions, the edifice would look squat and not very impressive. The emperor, who favoured the ponderous Empire style of architecture, had to step in and solve the dispute in Monferrand's favour.

The cathedral took 40 years to construct, under Montferrands direction, from 1818 to 1858. Under the Soviet government, the building was abandoned, then turned into a museum of atheism. The dove sculpture was removed, and replaced by a Foucault pendulum. During World War II, the dome was painted over in gray to avoid attracting attention from enemy aircraft. On its top, in the skylight, a geodesical intersection point was placed, with the objective of aiding in the location of enemy cannon. With the fall of communism, the museum was removed and regular worship activity has resumed in the cathedral, but only in the left-hand side chapel. The main body of the cathedral is used for services on feast days only.

The severe neoclassical exterior expresses a traditional Russian-Byzantine formula: a Greek-cross groundplan with a large central dome and four subsidiary domes. It is similar to Andrea Palladio's Villa La Rotonda, with a full dome on a high drum substituted for the Villa's low central saucer dome. The design of the cathedral in general and the dome in particular later influenced the design of the United States Capitol in Washington, D.C. and the Cathedral in Helsinki.

The exterior, which barely hints at the riotously rich interior, is faced with gray and pink stone, and features a total of 112 red granite columns with Corinthian capitals, each hewn and erected as a single block: 48 at ground level, 24 on the rotunda of the uppermost dome, 8 on each of four side domes, and 2 framing each of four windows. The rotunda is encircled by a walkway accessible to tourists. 24 statues gaze down from the roof, and another 24 from the top of the rotunda. The cathedral bronze doors are covered in reliefs, patterned after the celebrated doors of the Battistero di San Giovanni Florence in Florence, designed by Lorenzo Ghiberti. Suspended underneath the peak of the dome is a sculpted dove representing the Holy Spirit. Internal features such as columns, pilasters, floor, and statue of Montferrand are composed of multicolored granites and marbles gathered from all parts of Russia. The iconostasis is framed by eight columns of semiprecious stone six of malachite and two smaller ones of lazurite. The four pediments are also richly sculpted.

The interior was originally decorated with scores of paintings by Carlo Brullo and other great Russian masters of the day. When these paintings began to deteriorate due to the cold, damp conditions inside the cathedral, Montferrand ordered them to be painstakingly reproduced as mosaics, a technique introduced in Russia by Mikhail Lomonosov. This work was never completed. William Handyside and other engineers used many technological innovations in the construction of the building. The massive portico columns were raised with the use of enormous wooden frameworks before the walls were erected.

The enormous building rests on 10,000 tree trunks that were sunk by an army of serfs into the marshy banks upon which the cathedral is situated. The dome was gilded by a technique similar to spraypainting the solution used included toxic mercury, the vapors of which caused the deaths of an unknown number of workers. Over a dozen gilded statues of angels, each six metres high, face each other across the interior of the rotunda. They were constructed using galvanoplastic technology, making them only millimeters thick and very lightweight. St. Isaac's Cathedral represents the first use of this technique in architecture.

Rila Monastery

The Rila Monastery is the largest and most famous Eastern Orthodox monastery in Bulgaria. It is also called as Monastery of Saint Ivan of Rila or Rilski manastir. It is situated in the northwestern Rila Mountains, 117 km or 73 mi south of the capital Sofia in the deep valley of the Rilska River at an elevation of 1,147 m or 3,763 ft above sea level. The monastery is named after the famous Bulgaria saint and hermit Ivan of Rila. The details of Rila Monastery are explained in World tour guides below.

The Rila Monastery is founded in the 10th century, the Rila Monastery is regarded as one of Bulgaria's most important cultural, historical and architectural monuments and it is a key tourist attraction for both Bulgaria and Southeastern Europe as a whole. The monastery is depicted on the reverse of the Bulgarian 1 lev banknote, issued in 1999. It is traditionally thought that the monastery was founded by the hermit St. Ivan of Rila, whose name it bears, during the rule of Tsar Peter I (927-968). The hermit actually lived in a cave without any material possessions not far from the monastery's location, while the complex was built by his students, who came to the mountains to receive their education.

The Rila Monastery has been supported and respected by the Bulgarian rulers. Large donations were made by almost every tsar of the Second Bulgarian Empire up until the Ottoman Conquest, making the monastery a cultural and spiritual centre of Bulgarian national consciousness that reached its apogee from the 12th to the 14th century. The Rila Monastery was reerected at its present place by a local feudal lord named Hrelyu Dragovola during the 14th century. The oldest buildings in the complex date from this period were the Tower of Hrelyu 1334–1335 and a small church just next to it is1343. The bishop's throne and the rich-engraved gates of the monastery also belong to the time. However, the arrival of the Ottomans in the end of the 14th century was followed by numerous raids and a destruction of the monastery in the middle of the 15th century.

The Rila Monastery was rebuilt in the end of the 15th century by three brothers from the region of Kyustendil, who moved Ivan of Rila's relics into the complex. The complex acted as a depository of Bulgarian language and culture in the ages of foreign rule. During the time of the Bulgarian National Revival, it was destroyed by fire in 1833 and then reconstructed between 1834 and 1862 with the help of wealthy Bulgarians from the whole country, under the famous architect Alexi Rilets. The erection of the residential buildings began in 1816, while a belfry was added to the Tower of Hrelyu in 1844. Neofit Rilski founded a school in the monastery during the period.

The monastery complex, regarded as one of the foremost masterpieces of Bulgarian National Revival architecture, was declared a national historical monument in 1976 and became a UNESCO World Heritage Site in 1983. Since 1991 it has been entirely subordinate to the Holy Synod of the Bulgarian Orthodox Church. On 25 May 2002, Pope John Paul II, the Slavic Pope visited Rila monastery during his pilgrimage to Bulgaria. He was greeted by the Monastery's igumen, Bishop Ioan, who had been an observer at the Second Vatican Council. The whole complex occupies an area of 8,800 m² and is rectangular in form, centred around the inner yard 3,200 m², where the tower and the main church are situated.

The main church of the monastery was erected in the middle of the 19th century. Its architect is Pavel Ioanov, who worked on it from 1834 to 1837. The church has five domes, three altars and two side chapels, while one of the most precious items inside is the gold-plated iconostasis, famous for its wood-carving, the creation of which took five years to four handicraftsmen. The frescoes, finished in 1846, are the work of many masters from Bansko, Samokov and Razlog, including the famous brothers Zahari Zograf and Dimitar Zograf. The church is also home to many valuable icons, dating from the 14th to the 19th century.

The four-storey residential part of the complex consists of 300 chambers, four chapels, an abbot's room, a kitchen, a library housing 250 manuscripts and 9,000 old printed matters, and a donor's room. The exterior of the complex, with its high walls of stone and little windows, resembles a fortress more than a monastery. The museum of the Rila Monastery is particularly famous for housing Rafail's Cross, a wooden cross made from a whole piece of wood. It was whittled down by a monk named Rafail using fine burins and magnifying lenses to recreate 104 religious scenes and 650 miniature figures. Work on this piece of art lasted not less than 12 years before it was completed in 1802, when the monk lost his sight.

Rion Antirion Bridge

The Rion Antirion Bridge which is officially the Charilaos Trikoupis Bridge after the statesman, who first envisioned it, is the Worlds longest multi-span cable-stayed bridge. It crosses the Gulf of Corinth near Patras, linking the town of Rion on the Peloponnese to Antirion on mainland Greece. Its official name is the Charilaos Trikoupis Bridge. Charilaos Trikoupis was a 19th century Greek prime minister, and suggested the idea of building a bridge between Rio and Antirrio however, the endeavour was too expensive at the time, when Greece was trying to get a late foot into the Industrial Revolution. The details of Rion Antirion Bridge is explained in world tour guides below.

The 2,880 m or 9,449 ft long bridge dramatically improves access to and from the Peloponnese, which could previously be reached only by ferry or via the isthmus of Corinth at its extreme east end. Its width is 28 m or 92 ft it has two vehicle lanes per direction, an emergency lane and a pedestrian walkway. Its five-span four-pylon cable-stayed portion of length 2,252 m or 7,388 ft is the world's second longest cable-stayed deck only the deck of the Millau Viaduct is longer at 2,460 m or 8,071 ft. However, as the latter is also supported by bearings at the pylons apart from cable stays, the Rio-Antirrio bridge deck might be considered the longest cable-stayed suspended deck.

This bridge is widely considered to be an engineering masterpiece owing to several solutions applied to span the difficult site. These difficulties include deep water, insecure materials for foundations, seismic activity, the probability of tsunamis, and the expansion of the Gulf of Corinth due to plate tectonics. The bridge was planned in the mid-1990s and was built by a French-Greek consortium led by the French group Vinci, and which includes the Greek companies Hellenic Technodomiki-TEV, J&P-Avax, Athena, Proodeftiki and Pantechniki.

The consortium operates the bridge under concession under its G.E.F.Y.R.A., Greek for bridge, French-Greek Carrier of Oversea Connection of Rio-Antirrio subsidiary. The lead architect was Berdj Mikaelian. Site preparation and dredging began in July 1998, and construction of the massive supporting pylons in 2000. With these complete in 2003, work began on the traffic decks and supporting cables. On May 21, 2004, the main construction was completed; only equipment sidewalks, railings, etc. and waterproofing remained to be installed. The bridge was finally inaugurated on August 7, 2004, a week before the opening of the 2004 Summer Olympics in Athens. The total cost of the bridge was about € 630,000,000, funded by Greek state funds, the consortium and loans by the European Investment Bank. It was finished ahead of its original schedule, which had foreseen completion between September and November 2004, and within budget.

Due to the peculiar conditions of the straits, several unique engineering problems needed to be considered. The water depth reaches 65 m, the seabed is mostly of loose sediment, the seismic activity and possibility of tectonic movement is significant, and the Gulf of Corinth is expanding at a rate of about 30 mm a year. For these reasons, special construction techniques were applied. The piers are not buried into the seabed, but rather rest on a bed of gravel which was meticulously leveled to an even surface. During an earthquake, the piers should be allowed to move laterally on the seabed with the gravel bed absorbing the energy. The bridge parts are connected to the pylons using jacks and dampers to absorb movement; too rigid a connection would cause the bridge structure to fail in the event of an earthquake. It was also important that the bridge not have too much lateral leeway either so as not to damage the piers. There is provision for the gradual expansion of the strait over the bridges lifetime.

On 28 January 2005, six months after the opening of the bridge, one of the cable links of the bridge snapped from the top of the M3 pylon and came crashing down on the deck. Traffic was immediately halted. The first investigation claimed that a fire had broken out on the top of the M3 pylon, after a lightning strike in one of the cables. The cable was immediately restored and the bridge re-opened. A structural Health monitoring system was installed during construction on the bridge. It is still in place today and provides a 24/7 surveillance of the structure.

The system has more than 100 sensors, including 3D accelerometers on the deck, pylons, stay cables, and on the ground to characterize wind movements and seismic tremors. Strain gages and load cells on the stay cables and their gussets. Displacement sensors on the expansion joints to measure the thermal expansion of the deck. Water-level sensors on the pylon bases to detect infiltration. Temperature sensors in the deck to detect freezing conditions. Linear variable differential transducer or LVDT sensors on the stay cables to measure movement. Load cells on the restrainers for recalibration in the event of an earthquake. Two weather stations to measure wind intensity, direction, air temperature, and relative humidity. One of the specific element of the system is the ability to detect and specifically treat Earthquake events.

Piatra Craiului Mountains

The Piatra Craiului Mountains are a mountain range in the Southern Carpathians in Romania. In Romanian Piatra Craiului means Rock of the King. The Piatra Craiului mountains form a narrow and saw-like ridge, which is about 25 km long. The highest elevation in the massif is the Varful La Om with 2238 m. The details of Piatra Craiului Mountains are explained in world tour guides below.

The ridge is regarded as one of the most beautiful sights in the Carpathians. The two day north-south ridge trail is both challenging and rewarding. Starting at either Plaiul Foii in the north-west or Curmatura in the north-east, walkers climb up to the ridge before following a somewhat precarious path along the narrow spine. The descent at the southern end leads into a karst landscape of deep gorges and pitted slopes where water penetrating the rock has carved a series of caves.

The massif is bordered in the west by the Dambovita Valley which separates it from the Papusa massif; in the north-west the river Barsa and Curmatura Foii separates it from the Fagaras Mountains and in the east the Rucar-Bran Passage delimits it from the Bucegi and Leaota mountains. The southern border is the confluence of the valleys of Dambovita and Dambovicioara rivers, in the Podul Dambovitei depression.

The whole range is included in the national park Parcul National Piatra Craiului or Piatra Craiului National Park. The first protection of this area started in 1938 when 4.4 km² were declared as a Nature Reserve. The Law 5/2000 enlarged this area to 148 km². In 2003 the external limits and internal zoning were created. Since 1999 a park administration has existed and since 2005 a management plan has been in place.

In the national park area about 300 fungi species, 220 lichen species, 100 different mosses, 1100 species of superior plants a third of the number of all plant species found in Romania, 50 Carpathians endemic species and also two endemic species for Piatra Craiului can be found. There are also 2 endemic species of spiders, 270 butterflies species, amphibians and reptiles, 110 birds species, 17 bats species, chamois and other large herbivores and also many large carnivores like wolves, brown bears, lynx living in the national park.

Zarnesti is the most important town for visiting the national park. It is also an ideal starting point for approaches in the northern part of the massif. This town lies at a distance of 28 km from the city of Brasov, by road, bus or railway. From Zarnesti, an 11 km long road makes the connection with the comfortable chalet "Plaiul Foii", which is a good starting point for climbing the ridge.

Also, from Zarnesti a forest road starts from the south-western part of the town, leading through the Zarnesti Gorges and further up to the ridge. In Zarnesti the office of the administration of the National Park can be found. A new visitor center has been built 1 km west of the town, but it is not currently open. The traditional villages Magura, Pestera, Ciocanu, and Sirnea are interesting starting points for the routes on the eastern slope and for getting in touch with the traditional Romanian way of life.

Durham Castle

Durham Castle is a Norman castle in the city of Durham, England, which has been wholly occupied since 1840 by University College, Durham. It is open to the general public to visit, but only through guided tours, since it is in use as a working castle and is home to over 100 students. The castle stands on top of a hill above the River Wear on Durham's peninsula, opposite Durham Cathedral. The details of Durham Castle are explained in world tour guides below.

The castle was originally built in the 11th century as a projection of the Norman kings power in the north of England, as the population of England in the north remained wild and fickle following the disruption of the Norman Conquest in 1066. It is an excellent example of the early motte and bailey castles favoured by the Normans. The holder of the office of the Bishop of Durham was appointed by the King to exercise royal authority on his behalf: the Castle was his seat. It remained as Bishops palace for Bishops of Durham until the Bishops made Bishop Auckland their primary residence and castle was converted into a college. The castle has a vast Great Hall, created by Bishop Antony Bek in the early 14th century. It was the largest Great Hall in Britain until Bishop Richard Foxe shortened it at the end of the 15th century. However, it is still 14 m high and over 30 m long.

In 1837, the castle was donated to the newly formed University of Durham by Bishop Edward Maltby as accommodation for students. It was named University College. Architect Anthony Salvin rebuilt the dilapidated keep from the original plans. Opened in 1840, the castle still houses over 100 students, the majority of which are in the keep.

Students and staff of the college eat their meals in Bishop Beks Great Hall. The Great Hall's Undercroft, meanwhile, serves as the Junior Common Room, including its bar i.e. as the principal common room for the college's undergraduate members. The two chapels are still used, both for services and other purposes such as theatrical performances. Other facilities contained within the castle include the colleges library, the college offices, and the college's IT suite. During university vacations, the college offers rooms in the castle for conferences and as hotel accommodation. Access to the castle for the public is restricted to guided tours. Outside of these, only members of the college or vacation guests may visit the castle.

The college makes extensive use of the castle two chapels the Norman Chapel, built around 1078, and Tunstalls Chapel, built in 1540. The Norman Chapel is the oldest accessible part of the castle. Its architecture is Anglian in nature, possibly due to forced Anglian labour being used to build it. In the 15th century, its three windows were all but blocked up because of the expanded keep. It thus fell into disuse until 1841 when it was used as a corridor through which to access the keep. During the Second World War, it was used as a command and observation post for the Royal Air Force when its original use was recognised. It was re-consecrated shortly after the war and is still used for weekly services by the college.

Tunstalls Chapel is the more heavily used of the chapels, being somewhat larger. Bishop Cosin and Bishop Crewe extended it in the late 17th century. At the back of the chapel, some of the seats are 16th-century misericords. These were designed such that a person standing for long periods of time could rest on a ledge of the upturned seat.

Durham Castle is jointly designated a UNESCO World Heritage Site with Durham Cathedral, a short distance across Palace Green. The following quotation is taken from the British government's nomination for the World Heritage List. Few buildings in England can boast a longer history of continuous occupation than Durham Castle. Founded soon after the Norman Conquest, the Castle has been rebuilt, extended and adapted to changing circumstances and uses over a period of 900 years.

Charlottenburg Palace

Charlottenburg Palace is the largest palace in Berlin and the only building in the city dating back to the time of the Hohenzollern family. It is also called as Schloss Charlottenburg. It is located in the Charlottenburg district of the Charlottenburg Wilmersdorf area. The details of Charlottenburg Palace are explained in World tour guides below. The Charlottenburg palace was built at the end of the 17th century and was greatly expanded during the 18th century. It includes much exotic internal decoration in baroque and rococo styles. A large formal garden surrounded by woodland was constructed behind the palace. In the grounds of the palace various buildings were erected, including a belvedere, a mausoleum, a theatre and a pavilion. During the Second World War the palace was badly damaged but has since been reconstructed. The palace, its gardens and the buildings in the grounds are major visitor attractions.

The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg in what was then the village of Lietzow. Originally named Lietzenburg, the palace was designed by Johann Arnold Nering in baroque style. It consisted of one wing and was built in 2½ storeys with a central cupola. The facade was decorated with Corinthian pilasters. On the top was a cornice on which were statues. At the rear in the centre of the palace were two oval halls, the upper one being a ceremonial hall and the lower giving access to the gardens. Nering died during the construction of the palace and the work was completed by Martin Grunberg and Andreas Schluter. The inauguration of the palace was celebrated on 11 July 1699, Fredericks 42nd birthday.

Friedrich crowned himself as King Friedrich I in Prussia in 1701. Two years previously he had appointed Johann Friedrich von Eosander as royal architect and sent him to study architectural developments in Italy and France, particularly the Palace of Versailles. On his return in 1702 Eosander began to extend the palace, starting with two side wings to enclose a large courtyard, and the main palace was extended on both sides. Sophie Charlotte died in 1705 and Friedrich named the palace and its estate Charlottenburg in her memory. The Orangery was built on west of the palace and the central area was extended with a large domed tower and a larger vestibule. On top of the dome was a gilded statue representing Fortune designed by Andreas Heidt. The Orangery was originally used to over winter rare plants. During the summer months, when over 500 orange citrus and sour orange trees decorated the baroque garden, the Orangery regularly was the gorgeous scene of courtly festivities.

Inside the palace was a room described as the eighth wonder of the world, the Amber Room, a room with its walls surfaced in decorative amber. It was designed by Andreas Schluter and its construction by the Danish amber craftsman Gottfried Wolfram started in 1701. Friedrich Wilhelm I gave the Amber Room to Tsar Peter the Great as a present in 1716. The palace was badly damaged in 1943 during the Second World War. The garden was designed in 1697 in baroque style by Simeon Godeau who had been influenced by Andre Le Notre, designer of the gardens at Versailles. Godeaus design consisted of geometric patterns, with avenues and moats, which separated the garden from its natural surroundings. Beyond the formal gardens was the Carp Pond. Towards the end of the 18th century a less formal, more natural-looking garden design became fashionable. In 1787 the Royal Gardener Georg Steiner redesigned the garden in the English landscape style for Friedrich Wilhelm II, the work being directed by Peter Joseph Lenne. After the Second World War the garden was restored to its previous baroque style.

The palace and grounds are a major visitor attraction. For an admission charge parts of the interior of the palace are open to visitors, including Old Palace and New Wing. The Old Palace contains many rooms with baroque decoration, and includes a room called Porcelain Cabinet which holds thousands of porcelain objects. The New Wing includes the opulent rococo State Apartments of Frederick the Great and the more modest Winter Chambers of Friedrich Wilhelm II. The formal and informal gardens are freely open to the public. For an admission charge the Mausoleum, the Belvedere and the Neue Pavilion are open to visitors. The Mausoleum contains the graves of, and memorials to, members of the Hohenzollern family.

A large equestrian statue of Friedrich Wilhelm I is present in the palace courtyard. This was designed by Andreas Schluter and made between 1696 and 1700. From 1703 it stood on the Langen Brucke but was moved to a place of safety in the Second World War. On its return after the war the barge carrying it sunk and it was not salvaged until 1949. In 1952 it was erected on its present site. To the south of the palace are two more museums, the Brohan Museum, which contains art nouveau and art deco articles, and the Sammlung Berggruen, which houses modern art, in particular works by Picasso and Klee.

The Great Orangery was reconstructed on the model of the baroque building which was destroyed during Second World War Today, it shines in its old brilliance again. The light flooded festival room provides a pleasant framework for cultural events, concerts and banquets. Over the centuries the Orangery of Charlottenburg Palace saw lots of illustrious personalities but not only in the past. For instance, Queen Elizabeth II and the Chinese Prime Minister were welcomed in the Orangery lately.